TO KAYAK

Sophie Dumont


To be driven forward when sitting still

To kayak (verb) and kayak (noun)

To doodle the outline of your boat, which is the shape of closed lips

To butterbur, balsam, to adder’s-tongue

To walk past white water five years from now 

and instinctively seek your line

To use swim as an insult, a sign of mistake, as in, Did you swim today?

To have a latex neck and wrists

To be guided by the moon-silver underleaf of mugwort on the bank

To be an angler’s nemesis

To Teifi, to Wye, to Usk

To seek the playground of a weir, chute or other form of drop

To not show your mum the deep scratch along the crown of your helmet

where river turned you upside down, backed you into a corner

reminding you how low and dark her voice can go

To pillwort, fen violet, valerium

To neoprene

To spend all afternoon digging water a shade lighter than mud

To know a town from how its bridges echo

To be driven in someone’s car, damp, hungry, back to your starting point

Sophie Dumont is a Bristol-based poet, artist and copywriter for two charities. Her poems have been published widely, such as in The Rialto, The Moth, Magma, Anthropocene, Ink Sweat & Tears, Neon, Banshee, Steel Jackdaw, The Interpreter’s House and Under the Radar. She has been poet-in-residence on Bristol Harbourside with Boat Poets and was appointed 2022 writer-in-residence at Exeter Custom House by Literature Works. 

Sophie was awarded the Brian Dempsey Memorial Prize for Best Single Poem 2021, came second in the Gloucestershire Poetry Society and Black Eyes Publishing UK Competition 2021, came third in the Magma Poetry Competition 2022, and has been shortlisted twice for the Bridport Prize. Sophie is an alumna of the Genesis Jewish Book Week Emerging Writers Programme and has an MA in Creative Writing. She has written two immersive experiences for Riptide. Learn more about Sophie and her work at sophiedumont.co.uk.