MOTHS

Maya Caspari


In the end the moths get everything                                 even our hearts

sitting in the kitchen 

        decked with years

        I saw my parents 

gently fading into scraps

            small holes 

I had not seen before 

were waving 

in their cheeks

            the moths themselves 

              were spilling

from the drawers 

like overflowing 

gasps

their tiny eyes all 

focused 

as they flew 

        I knew they had no

need 

to care for us

  and still, hopeless

I hoped they would.

But everything         kept trembling 

out of form

the table like a wobbling 

hunk of mountain cheese

the plates 

like woven fabric

    chairs pockmarked

peppered with spots

TV a square-cut 

drop, a falling hum

newsreaders 

fast outgrown 

   by their own mouths

until only some mouths 

remained

sometimes just half a 

                   tongue

even my hands were stitched                 with tiny gaps

        Later, I dream

my father

in the kitchen 

once again

smiling at the stove

making a soup 

from chicken bones

        like his Prussian grandma 

        taught him

sunlight hanging 

from his hair

You look well   I tell him

as if I 

 cannot see 

the clustering moths

 or how his

edges seem to be softening 

the growing hole beneath 

his chin.

That night, I wipe 

      the moths off his warm arms 

ask him

        please don’t move

        too much

Stay just 

        for a while  

and the bedroom’s half light seems to bend 

at our hands’ touch

      under wing shadows

        gently peeling off

the edges     the thin frame

Maya Caspari is a writer and academic. Her research focuses on the ethics of representing difficult histories. Her poetry has been published in journals including The Poetry Review, Ambit, Butcher's Dog and Perverse. She has been highly commended in the Forward Prizes, longlisted in the National Poetry Competition and shortlisted for the Aesthetica Creative Writing Award.