SOFTEST GREENS
Leah Wilkins
On the dresser in the parlour there is a photograph
and you, you are standing at the back of the garden
in the background standing tall are the trees
to this day, I still cannot read the expression on your face
I guess you could say that it does not matter
and that’s alright for you
except it does matter that I cannot see your
face, except in profile and obscured by shadow in the photograph
the grass at your feet – bare – the foreground strewn with matter
and debris from where you were trimming the hedges in the garden
the colour appears to have drained from what little I can see of your face
a shape that maybe you have seen in the trees
that is troubling you unbeknownst to me, I cannot see what is in the trees
but I fear it is only something that you
can tell me. I remember thinking that your face
was always the same in photographs
it broke my heart to think that it was the last photo of you in the garden
it was even worse when they said it only mattered
to me that the other box containing the photos ended up matted
and soggy in the corner of the basement after the tree
fell into the pond and flooded the garden.
There are many more photos of me that you
took on that first sunny day in June, photographs
of me lying in the hammock, my face
upturned enjoying the sun’s warmth on my face
on the ground next to me the dog is lying on a mat
as you advance towards me to take the photo
the hammock is hanging from the same tall trees
and perhaps I don’t mind that you
are coming towards me unannounced in the garden
I’m rarely alone with my thoughts anymore, apart from when I’m gardening
to my mind I think that my face
has gotten more interesting and I almost never think of you
at all, it’s almost like none of it ever mattered
ever since the fallen tree
the picture frame has a new photograph
there’s a photo of a baby, asleep in the garden
the trees are in the foreground, a parasol shades his face
he’s lying on a mat and he looks, he looks nothing like you