SIMULATION
Eira Elisabeth Murphy
The probability that I am not real
gets greater the longer I live.
Before bed, I imagine dissolving
into numbers, translating my thoughts back into fractions.
I imagine this process of simplification
to be like unwinding wool.
A bathroom that must once have existed is supplanted by the white tiled dome
I wish up in replacement.
I make this the site of my brother’s almost choking,
a hot rash of fists and hands forced down throats.
I remember that pain lives in the body,
not in the contortions of air around
what I can no longer say,
the slow morse code blink
of a computer cursor.
A flight of magpies is a glitch on the evening, puckering air and blue light.
I reach for you blindly.
This ritual feels like throwing stones.
I wait for the resolution of broken water.
I say tonight the earth is round like any other planet
and I feel my liver unmoor itself, float upwards
and out towards you.
I describe a view from my window
in old colours
and the initials of lost people.
In my imagined bathroom, I do not notice that
I am already in mourning for you.
I imagine the shape of your last smile,
do not stop to think about what I must later convince myself is true.
I lose control of my breathing,
safeguard memory
in cold water.
I dream that I have destroyed my voice
and all its terrible brokenness sits round me.
I dream I am a computer screen going dark
then flashing up a constellation,
white-hot peep holes, hair-line fractures,
or fish swimming flat against purple,
each scale blurring into
tiny pixellated squares of coded bone.