BIG UTOPIA

Caroline Wiygul


I imagine a daughter—a child can be anything, I’m aware, but she feels a mirror of me & so: 

a daughter— and you, genderless love. For us, inosculation, a marriage of trees &

for her a christening into a veneration of river ecologies, no talk in this dream

of mass extinction, no talk of desertification my daughter alights to school 

against a sky painted in gentle film grain. So I have this tiny utopia, this 

20-minute city, & I have the version where everyone is a blank

where everyone used to be, shadowless shadows—& I know

somewhere there’s a bigger dream to be had, brash & 

serious & anarchist & engineered with clay we can 

rewet & rewet, but here, in the shrink, it’s always:

just one old forest left, just an emerald ash not 

hollowed by bores, just moss, just a worn-out 

couch, just a curry dinner, a copper pot, just 

a window that it is safe to open, just not 

the prophesied blast of methane, just

to touch the top of your hand with

my fingertip, just a pen & paper, 

just the same four things to do 

each morning, just a life 

my child might

forgive

me

f-

o-

r

My

frie-

nds 

& I are

accused 

of the sin of 

expectation: I don’t 

think the world owes me 

but don’t I owe the world 

a gentle life, a part of myself,

a dedication or some new religion

based on these whittled wants: past these, 

above them, in what they require, I can almost 

imagine—

Caroline Wiygul is an Edinburgh-based poet originally from the Mississippi Gulf Coast in the U.S. Her work explores the long transition from girlhood to adulthood, often through familiar ecosystems that have been transformed by climate change, which means lots of poems about dreams, visions of the future, and the swamp. Caroline recently completed a masters program in greenspace research and design for human health.